Our good friend, travelling companion, guest artist and fellow hand tattooist Brent McCown was able to squeeze in a short visit at Skin&Bone between the Stockholm Ink Bask and the Icelandic Tattoo Convention last Fall. Zsa Zsa from Z-Tattoo has been wanting to feature him in her magazine for some time so we took the rare opportunity to take some photos and interview him over a pot of tea :-)
Brent in all his seafaring glory
Cover from the latest issue of Z-tattoo
And an English translation for the Swedish impaired:
Brent
McCown: “The White Chief”
Despite 26
years in the business, Brent McCown retains his youth, in body, heart and mind.
Unlike many Old School and Traditional practitioners, Brent bridges the gap
between machine and traditional tools and is very open and willing to share his
knowledge. Born in New Zealand, Brent began his career in 1988, tattooing out
of a caravan in Australia and then an Old School biker shop on Darwin. He
eventually moved back to New Zealand and worked closely with such notorious characters
as Merv O’ Connor (who is in his 80’s and still tattooing 6 days a week) and
Steve Ma Ching (who is famous for his New School Samoan designs). It was during
this time that Brent took up the traditional Polynesian tools and began honing
his craft while travelling. Brent has won awards at some of the biggest
conventions in the world… New York, London, Milano, Amsterdam and Copenhagen to
name a few. Brent has also been instrumental in bringing Tatau into the 21st
Century by developing hygienic tools for hand tapping… wood has been replaced
with autoclaveble plastic, boars tooth combs have been replaces with sterile
needles. After travelling many years Brent settled in central Europe with his
German wife Steffi and son Maddox where he owns the studio Tattoo Tatau in Villach,
Austria
Past or Present:
I asked
Brent about “Tatau” (Traditional hand
tapping) and why the interest and addition of traditional tools to his
tattooing?
“I think
all positive thoughts are a step forward , and any negative to change is a step
backward to killing it. The Hand tapping part of my job has evolved from me
through an accident: I was helping my neighbor a tatau artist sterilizing and
building some tatau tools and then the interested developed from there”. Sort
of a cultural exchange. “Nowadays I’m
constantly trying to improve the method of tatau whilst still keeping true to
tradition, and I hope that this will keep it alive for future generations”
Authentic
“vs” Aesthetic:
Polynesian
tattoos have become very popular the last several years with a lot of impressive
work coming out. When asked if an artist needs a deeper knowledge of the
symbols than just aesthetics to produce a good tattoo, Brent responds, “I think
is very important to understand what you are creating as the tatau has lots of
meaning from nature, for example, it is very common for someone to tattoo birds
flying upside down because they don’t understand the symbols”.
When asked
about traditional tools versus tattoo machines for cultural tattoos, Brent sees
a lot of grey area. “Machine and Traditional are both great, in the beginning
the artists used what was available. Both create really different textures and
effects on the skin, and as an artist I love the contrast between this 2
mediums. However I also believe a fully traditional tattoo (eg. a peá or malu)
with full meaning should be done the traditional way.
The
Rutherford Factor:
When asking
Brent about the problems of being a “Pakeha” (White man) tattooing traditional
symbols the conversation quickly turns to John Rutherford. Rutherford was a
British sailor from the early 1800’s who travelled and lived amongst the
Maoris. Rutherford was tattooed with a Samoan Peá (traditional trousers) as well
as a Moko (Maori facial tattoo) and other Polynesian tattoos. He was highly
respected amongst the tribes and became known as “The White Chief”. He was in
some ways a foreign diplomat of his time and you begin to see a similarity when
talking to and looking at Brent. Some modern Polynesians see the tattooing of
traditional patterns on foreigners as “Tabu”(forbidden). However this was never
tabu in the old days… it became tabu when the missionaries arrived. Tattooing
was a heathen practice and if they couldn’t stop the Polynesians from doing it,
they could at least forbid them from tattooing the Christian sailors.
Brent says,
“the thought of many, that a non polynesian should not have a polynesian tattoo
is very very incorrect. It is a very dangerous and jealous thought. In the
times before the white man in Polynesia this jealously didnt exist, it is a
modern thing created by the ones that have lost their culture and trying to get
it back. Instead of embracing the ones reviving it they are condemning it to a
slow death. For a culture to survive they need to be strong and together with
no racial prejudice and adapt to the times”.
Brent McCown
Tattoo Tatau
Gerbergasse 30
9500 Villach, Austria
Tel: +43(0)650 / 3542 302
www.tattootatau.at
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