Skin & Bone is a combination gallery and tattoo studio. The gallery will exhibit art and ethnographic handicrafts related to tattooing, while the studio will have Colin Dale tattooing alongside various guest artists throughout the year. Through his years of travelling and tattooing around the world Colin has had the pleasure to meet and work alongside a wide range of tattoo artists and experts working in ethnographic and other specialized styles. Amongst these friends, we have hand-tattooists from Borneo, Polynesia and Japan as well as some of the world's leading artists in Blackwork and Dotwork coming to visit. Check the homepage http://www.skinandbone.dk/ to see some of the work



Thursday, 16 November 2017

Burn&Pillage Tour 2017: Trelleborg

After Lejre we made the quick trip to Trelleborg

Started the market with a Moesgaards Mask on Frederik, who is becoming a regular client with his family on the markets the last several seasons.
The Aegirs Hjelm and Vejviser on the chest are from last year


and placed a Sun Wheel petroglyph on the inside of the arm as well

A quick walk in to end the day
Odal Rune


A Vejviser for Aubane to protect her on her journey back to Switzerland


Another Moesgaards Mask... this time just with dots


Rune Magic



Steven flew in from Canada  for a long session... we're hoping he can return to finish next year
Rune Dragon with the names of his 3 children in the body... they fell asleep in the car while waiting




A stylized Borre Bear Head for fellow tattooist Trine Glue




A little freehand Sun Ship on Fabien, who drove up from Germany for the day

and barely had time to start on Benjamin who drove over from Holland... but he'll be back in the country after New Year for a little more filling on this blacksmith petroglyph

Monday, 13 November 2017

Burn&Pillage Tour 2017: Lejre

Lejre is always our highlight of the year. 
A meeting of family and friends outside the constrains of a tattoo studio.
Our second home as well as one of the first places to open up about Cultural Tattooing and has allowed us to experiment using prehistoric tools and techniques for the last 18 Summers

I tattooed Sonny many years ago and have since tattooed most of his family... so it was only suiting that I tattooed his wife as well while they were visiting from New Zealand


Did a matching boundrune on them both as well as an extra little rune on his wife



Lejre by Night

A second Pictish Bear for Jacob commemorating his two sons... both of which are named Bjørn as their middle name.


Birgitte got a little addition and coverup on her forearm to compliment a larger piece of Inuit inspired tattooing we did on her calf a few years ago 


Loki and his Frost Giant Hammer

A woman's place is in the kitchen ;-)

  
Chris is a tattoo collector who travels the world getting tattooed by different traditional artists and techniques. When he was in Hawaií he was tattooed by my friend Pili Moó using the Polynesian Tatau technique. Moó mentioned my work to him and he came to get some Inuit sewing on his forearm. We will be continuing this at a later time as the sewing technique is much more time consuming than Tatau

Continued a little more on Maria's Yggdrasil project.
Maria is an archaeologist who used to work in the Stone Age area of Lejre and who I have been tattooing for close to 20 years. Finally decided she was old enough for a handpoked backpiece

Mother of Dragons... The Girl with the Dragon Tattoo

When Iban Fadlan first met the Rus Vikings he described them as being marked (Tattooed) from Neck to Nail Roots. There is now some discussion amongst scholars as to the term Nail Roots... while it is most probable this refered to the arm, which was exposed, there are some who argue that the term actually meant Top to Toe



Yes... all the overs and unders work 
This is probably the most painstaking part of the process. While the Polynesians can jump from one muscule to the other with the placement of negative space and the Japanese can do it with windbars and clouds... my designs have to be connected and flow continuously down the entire length of the body. Three dragons and two serpents all freehand and intertwined with every over having a corresponding under 

When Fie first contacted me about getting such a large piece as her first tattoo I tried not to get too excited as often the realities outweigh the dreams. So from the first talks there went almost a year before we could start. Several sessions drawing on the body to get ideas, getting the economics in order and discussing whether she would be open to the time and commitment of doing it by hand rather than machine. Luckily she lives right around the corner, so anytime I had a cancellation on short notice I could just contact her and she would drop by. So once we started it actually went quite quickly... taking almost one year to the day
However I have to give credit to Fie's stamina as well, as I usually work 8-10 hour days




 




Over the years I've had the opportunity to tattoo some incredible women by hand and machine and partially due to this work Fie was able to lay her trust in me



In the original design I was planning to have the large central dragon slide across the hip around the thigh and back up onto her back. However when we got down to the hip I reconsidered and made the dragon do a loop on the hip and butt cheek to give it a more round form before continuing down the leg

The head and back remained the same though




A cold day at the København Middelalder Market 2016. Luckily we had a lot of blankets and lambskins to keep her warm. 
Finished the head of the Mother Dragon and started filling the Herringbone scales by this point. To keep her from being too exposed we concentraited outlining the new form for the hip and cheek.







Unfortunately by this point the "Mother Dragon" had already began inspiring copies. 
The price of fame I guess... just irritating when the copies are completed before the original.
But hand tattooing isn't about speed as much as the tradition and process... and "freehand" drawing of another's work doesn't make it original






Outlining the second head of the Rune Dragon with Rope twists which comes over the hip to rest on the belly



After the Back and Hip portions were outlined, step three was to draw from Hip to Toes. As the outline takes so long to complete it has to be dotted first to mark the lines 


Then it is just a matter of connecting the dots 

 The third Dragon head is outlined at Lejre and Koi scales will be added at a later point


A few close up photos of the late night session at Lejre
Just because it is done by hand doesn't mean it has to be rough... the Vikings were excellent craftsmen and to suggest otherwise is just making excuses for bad work

and an extreme close up of the process
My introduction to hand tattooing was through the tribal arts, so my needles resemble more Tatau and Tebori tools in form and produce a sharper line than with dotwork tools





 






















Another session outlining at the studio

Adding Koi scales to the outlined portion

 Finally reaching the toes


All the Dragons bend without breaking


From "Neck to Nails" as Iban Fadlan wrote



Still have to get some good photos of this with a better flash

Thanks to Fie for the trust with her first and only tattoo






In part due to Fie's example I've now been entrusted to do some more large pieces by hand which I hope to be finishing in the near future... of course it takes the time it takes