Aristic Process

Continued the Fenris Wolf

Yggdrasil... just need to completed the spirals on each buttocks

The Midgaardsorm's tail is getting thinner and we're making faster progress :-)

One more session and we're done!

Trelleborg Viking Market

Skin&Bone on the road again

First tattoo... a guy from Holland.

Three tattoos symbolizing Thor, Tyr and Odin, for himself and his two siblings

Finished tattoos...

despite the simplicity of the designs, doing sharp lines is very difficult technically

Close up

Red ochre in the eye of Odin

Tyr's rune and sword

Thor's lightningbolt

Just because it is done by hand doesn't mean it has to be rough :-)

Tattoo Extreme Vol 53 2012

   I did an article for Tattoo Extreme in Taiwan 4-5 years ago. I've always been impressed with the size and quality of the photos which in many other asian magazines is reduced to the size of postage stamps. When interviewing foreign artists they also print the interviews in English as well as a Taiwanese translation :-) I ran into them again at a convention last year and told them about the new studio... they asked if I could send some new photos so that they could do another article and help promote me a little. I sent them the photos and waited for the questions, but never heard back :-(  Just got back from Norway and found the latest issue in the post :-) Unfortunately there is no interview... but they did explain using bits of information they found on the net. The first 2 page photo was taken by Nanna and has the arms of Kai Faust, Bjørn, Markus and myself  holding a skull. The tattoos are different Nordic styles tattooed by Kai, Astrid, myself and others
   Enjoy - Colin



Lejre Archaological Research Centre

Lejre has always been high point of my tattooing and personal life. When I first was invited there it was through the help of my friend Mark Salter whom I was tattooing and worked at the centre at the time. We proposed to do research and demonstrations of prehistoric tattooing techniques, tools and rituals. Mark's knowledge from living amongst Native American Indians was very important the first few years as we experimented with tribal and shamanistic rituals surrounding tattooing.

Since that time I've experimented with tools made from thorns, bone and flint stone... techniques such as Inuit sewing, hand poking, cutting and rubbing... pigments made from soot, coal and red ochre... and finally rituals such as shamanism, accupuncture and medicine tattoos

Lejre has changed over the years... and in order to survive has evolving from a volunteer research centre to the Sagnland theme park it is today. This is not necessarally a bad thing as the centre now has more money and better facilities in which we can still continue our work in a surrounding that has become family.

This years research concerned Life, Death and Cultural Re-birth 

Life: 

Ulv/Wolf (aka Jørgen) is the village blacksmith and leader of the Viking community at Ravnhøj for the last 15 years. I tattooed him about 10 years or so ago and since that time have also tattooed his 2 sons out at Lejre as well. Ulv is retiring after this season so his sons Mads and Mikkæl arranged a family tattoo session. Unfortunately due to failing daylight we only got two completed... but Mads lives in Copenhagen and we'll complete his soon :-)

Ulv and Mikkæl with completed tattoos... Bronze age and Viking age trinity symbols knotted together. Mikkæl opted for for more graphic black to match his earlier tattoos, while Ulv continued with dotwork as in his dragon armband

Death:

Eric Frederikson is a client and friend of many years whose father passed away last January. Erik wanted to cormemorate this with a memorial tattoo and after much thought decided to use his fathers ash as pigment. The Polynesians (specifically Hawaií) were also known for cutting their bodies and scalps in mourning for the dead as well as rubbing the ashes on themselves. The book of Levidacus from the Old Testiment warns against this practice as being heathen and ungodly.

Human ash, soot and alcohol mixed in equal parts to create the tattoo pigment 

It was raining sporatically all day so we tattooed Eric in the tent and then went down to the sacrificial bog afterwards to give an offering 

Tattooing in process... you can see the ash and ink separating in some places. Very slow and gentle process... the ash is very grainy while the soot is very oily and requires a bit of experience to get it mixed and into the skin

Erik at the Sacrificial bog afterwards where we offered the remaining ink, a snickers bar, some mjød and a prayer. As Erik rose from his knees afterwards we noticed a deer standing on the other side of the bog watching us... it slowly turned and then bound away :-)

Cultural Re-birth:

I've been working with pigments made from soot, ash and ochre for many years and have tattooed them on myself as well as smaller designs on friends, however I've always wanted the chance to do a Haida piece using all natural pigments

The Haida Indians of Canada's North West Coast are one of the only tribes to have reportedly tattooed in colour (specifically red) However as these reports are post contact it is hard to determine is if the colour was a tradition or merely a result of them having access to Chinese vermilion brought by sailors.

Despite this I had to do it as I think it could have been done... the ochre I've always enjoyed working with as it goes into the skin quickly and is much easier to wipe off and keep the area clean than with the soot which is much more oily.

The Haida tools are very similar to my own... a short stick with a flat grouping of needles at the end. However over the past several years I've been moving away from the flat graphics of the Haida designs and workig specifically with only lines and open forms (which are not outlined) 

Haida devilfish (Octopus) in progress

Looking forward to finishing this piece :-)

Helleristning (Tanum, Sweden)

Børre Viking Market, Norway

Skin&Bone on the road again

Tattooing Tor Ole with a raven. (Boff did the raven on his other arm)

Still have to do the feet

Love the spiral shoulder/shoulder placement

A wolf/dog protecting a chest.

The original design comes from the bottom of a silver bowl unearthed in the garden of the house where he was raised in Sweden

The tattoo next to a silver copy of the engraving... I took a little liberty with the design but I think it makes a much better composition.

Emil just turned 18 and is the son of friends of ours. He got the same design which his parents had tattooed at Lejre several years back with his entire family surrounding him :-)

A strong Valkyrie with shield and spear... not the typical depiction offering a horn of mead

The strong woman owning it

Kim is retired and has a large portion of his body covered with tattoos.

When he asked me to do his hands I declined, due to the fact that it is illegal in Denmark to tattoo on the face, neck and hands.

Not to be detured, Kim travelled to Norway to get the first one done... next stop, Iceland in September :-)